“Blackbird singing in the dead of night,
-- Paul James McCartney
I grew up surrounded by Red-winged Blackbirds that would flock over tilled fields each spring and then returned to bent, barren corn stalks in the fall. Their endless songs, echoing across farmland in the gloaming, would carry me off to sleep and just as often wake me in the morning.
It’s early April. The spring migration is in full force. Birds course along the edge of Lake Michigan, heading north. The call of Red-winged Blackbirds again fills my mornings with dewy memories and delight. It is a bird watcher’s heaven.
It is also incredibly appropriate, since I am penning my fourth cozy mystery, The Nighthawk’s Nemesis. The story is woven around bird watchers—twitchers, as they are called in the UK. As usual, I’m knee deep in research as I begin a new novel. I am studying ornithology, birder’s slang, and the stunning migration along England’s coast. It is made all the more fascinating by the actual spring migration that hovers over my own head in Wisconsin.
In that recent research, I have learned that a group of chickens is a peep, a group of owls is a parliament, a group of larks is an exaltation, and a group of blackbirds…a murder. How terribly appropriate.
Writing is both wondrously fulfilling and endlessly challenging. I am always trying to improve my craft. I find it all fascinating: character development, pacing, plot twists, grammar, dialog, and setting. Nothing, however, captures my attention more than similes (a metaphor that uses 'like' or 'as'). Perhaps it's because I adore the imagery they create, but I also find them so very hard to write! Spotting this weakness early on, I endeavor to write them into all of my novels simply to grow that skill. So, smile for awhile as I review some similes from the Barrington Bay series:
I have struggled with time throughout my life. I grew up with the analog clock and, for whatever reason, I never could figure out how to tell time. Imagine my relief when digital clocks arrived.
As a teenager, I was ahead of my time, reading books as a freshman that weren’t offered until senior-level English classes. I was behind my time as an adult, not getting married or having children until my mid-thirties. I always seemed to be a step ahead or a step behind everyone else.
I’ve been spending my dreary winter days punching up the characters who live in Barrington Bay. Bringing fiction to life is a fascinating, lengthy process. Although I love dwelling in the actual mystery, it turns out that readers are typically more vested in the characters than the plot. All this character analysis on my part has led to rewrites with some surprising changes, new scenes, and added depth to my stories as I strive to improve the read.
I must admit that I struggle with character development. I can map out a convoluted plot or swiftly pen a passage describing a setting but then flounder when I drop a character into that scene. After much research, online lectures, and personal reflection, I simply tasked myself to consider some of my favorite characters from literature and popular culture. What attributes make them steal my heart and reverberate in my mind? I thought of all the suave, brilliant, stunning, eloquent, athletic, or cultured characters that jump off the screen or glide across the pages of a book. Oddly enough, I couldn’t recall a single one. I was surprised to realize that—at least for me—it is character weakness that makes them memorable. For example, the ever-depressed Eeyore (Winnie the Pooh), Barney Fife shivering in fear (The Andy Griffith Show), the oh-so-fastidious Hercule Poirot (The Mysterious Affair at Styles), the tightly-wound Beverly Hofstadter (The Big Bang Theory) and, of course, our drug-addicted Sherlock (A Study in Scarlet). It is these characters’ limiting wounds that makes them dear-to-heart and unforgettable.
Armed with this insight, I returned to Barrington Bay with a big eraser and bent pen, intent to do damage to my characters. The result has been encouraging. I could more readily embrace these fractured friends who now struggle within their own limitations and join the rest of us imperfect humans. I hope you enjoy their faults, as well.
My house is rather empty during the holidays with an ever-dwindling family network. Time marches on. Children marry, and siblings shove off to distant retirement communities. Perhaps you share the same dilemma. My solution is to invite friends in…
This Christmas, Joey Peckinshaw will step away from the Peckish Prawn to apply her café skills in my kitchen. If you haven’t met Joey yet—in The Sheltering Stones—then you’re in for an eye-popping experience. (Someone once compared her to a pineapple!)
I’m praying that Addie Jesper will whip up some dessert while here. Right now, she’s dropping crackers around the table for popping after the meal. Given her non-stop chatter, I suspect she’s been sampling the brandy used in her traditional Christmas Pudding.
Toby Remeck is in the lounge, spinning albums. He’s informed everyone that vinyl’s comeback is here to stay, so we best make our picks while we can still afford the collectibles. Professor Rosemont is haggling over some swing recordings for his war memorabilia shop. I'm opting for any albums with Bing Crosby crooning about love.
Dance revivalists? Oh, yes. Our Victory Service Club hosts marvelous wartime gatherings for both dancers and promenaders—those in darling vintage clothing who stroll along the sidelines. They are quite different from the lads who engage in actual reenactments. They don’t mind getting their gear dirty. Indeed, the rougher the bunker conditions the better! There has been an astounding growth in interest in World War I and II. People want to recall a time when Britons did something important; it's a sort of collective pride. Of course, the war period is heavily romanticized these days. Everyone focuses on the music which was filled with lyrics of longing. Then there are the televised shows with antique cars and retro dresses which gloss over the horror of war and the lives lost. Still, it keeps our history alive, if somewhat warped.
-- Excerpt from The Tide Turns
Setting my stories along the northwestern coast of England has been a tremendous learning experience. I am a landlubber whose knowledge of open water is limited to my neighborhood’s Lake Michigan (see previous post Lost in the Surf). It is one of America’s Great Lakes but tiny compared to the oceans. So, I am constantly reading to expand my knowledge of the sea and how it impacts characters who are bound to the British Isles. Visit my other posts, Out to Sea, What Lurks Beneath, or Buoy, Oh Buoy for examples of some watery research.
My erstwhile travel partner/back-road navigator who joined me abroad led me down another path that ended with a sublime discovery: the Met Office Shipping Forecast. The UK’s continuous sea weather forecast has been offered as a public service since 1867. Countless generations have relied upon this vital radio broadcast to safely navigate across the water. Nowadays, even landlocked listeners tune in to the melodic nightly readings to lull them to sleep while tucked in their cozy beds. The areas touched upon by the Shipping Forecast have delicious names like Dogger, Bailey, Forties, and German Bight—mystical-sounding locales you might come across in a dreamland.
This blog is where I post my inspirations for each book as well as behind-the-scenes tips, pics, and other tidbits. Feel free to click 'Read More', leave a comment, and share!