When I am not caught up in writing an exciting scene in one of my novels, I am working in an IB (international baccalaureate) school. We come thundering back to campus in early August. While many are still kicking up sand on the beach, our summer has ended. We are already back-to-school.
Every adult can still recall the excitement found in the first days of school. The smell of a new pink eraser, lining up colored pencils with never-used points that promise a rainbow of fun, placing crisp sheets of paper in glossy folders, and wearing the newest, coolest jeans. We are sluiced with the thrilling anticipation of what might just happen tomorrow. We hunger for the unknown found in each new classroom. The flip side—plenty of strangers, getting lost in the halls, sitting alone at lunch—is best forgotten; a memory we all deny yet share. When I was a child, my family had the tendency to move. One of the places we called home was a stretch of land in an agrarian community named Caledonia. At the time, I had no idea that “Caledonia” is Latin for “Scotland.” Nor was I aware that this region had been settled by U.K. immigrants. Unknowingly steeped in that sovereign nation’s culture, I learned every lyric of “Drunken Sailor,” "Nut Brown Maiden" and “The Bonnie Banks of Loch Lomond” in school. Our neighbors spoke of banshees in the gloaming and selkies in the sea. The library stacked Brontë, Burns, and Dahl beneath highland landscapes trapped in ornate frames. Heck, I thought every American parade featured old men wearing wild skirts and blurting bagpipes.
We moved. The deep snows of northern Wisconsin froze out those lush childhood memories. The turbulent echoes of the Vietnam War eroded such bucolic images from my heart. “Blackbird singing in the dead of night, -- Paul James McCartney I grew up surrounded by Red-winged Blackbirds that would flock over tilled fields each spring and then returned to bent, barren corn stalks in the fall. Their endless songs, echoing across farmland in the gloaming, would carry me off to sleep and just as often wake me in the morning.
It’s early April. The spring migration is in full force. Birds course along the edge of Lake Michigan, heading north. The call of Red-winged Blackbirds again fills my mornings with dewy memories and delight. It is a bird watcher’s heaven. It is also incredibly appropriate, since I am penning my fourth cozy mystery, The Nighthawk’s Nemesis. The story is woven around bird watchers—twitchers, as they are called in the UK. As usual, I’m knee deep in research as I begin a new novel. I am studying ornithology, birder’s slang, and the stunning migration along England’s coast. It is made all the more fascinating by the actual spring migration that hovers over my own head in Wisconsin. In that recent research, I have learned that a group of chickens is a peep, a group of owls is a parliament, a group of larks is an exaltation, and a group of blackbirds…a murder. How terribly appropriate. Dance revivalists? Oh, yes. Our Victory Service Club hosts marvelous wartime gatherings for both dancers and promenaders—those in darling vintage clothing who stroll along the sidelines. They are quite different from the lads who engage in actual reenactments. They don’t mind getting their gear dirty. Indeed, the rougher the bunker conditions the better! There has been an astounding growth in interest in World War I and II. People want to recall a time when Britons did something important; it's a sort of collective pride. Of course, the war period is heavily romanticized these days. Everyone focuses on the music which was filled with lyrics of longing. Then there are the televised shows with antique cars and retro dresses which gloss over the horror of war and the lives lost. Still, it keeps our history alive, if somewhat warped. -- Excerpt from The Tide Turns |
Welcome!This blog is where I post my inspirations for each book in the Remy Lane Mystery series as well as behind-the-scenes tips, pics, and other tidbits. Feel free to click 'Read More' for in-depth posts. Archives
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